Filmspotting Podcast
Weekly film podcast/WBEZ radio show featuring in-depth reviews, top 5 lists and interviews.
Coyote vs. Acme and The Rocky Horror Picture Show | #1080
When Coyote vs. Acme was shelved in 2023 for a corporate tax write-off, the response from film fans was as swift as a roadrunner and as explosive as a pile of TNT. When it was picked up by another distributor (Ketchup Entertainment), the outrage turned to anticipation – justifiably so, say Adam and Josh. Plus, they honor the late Tim Curry with a review of The Rocky Horror Picture Show, and listeners weigh in with their favorite ‘90s movie villains, and more. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:36) Coyote vs. Acme (00:02:37-00:33:49) Filmspotting Family (00:33:50-00:39:12) The Rocky Horror Picture Show (00:39:13-01:11:45) Notes / Polls (01:11:46-01:30:30) Credits / New Releases (01:30:31-1:34:25) Notes: Filmspotting’s Top 5 Needle Drops -Spotify -Spotify (52 Track Version) -Apple Music Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
Zuck Dynasty, Pt. 2 — The Social Reckoning
A few weeks out from The Social Reckoning’’s tepid theatrical debut, it’s safe to say Aaron Sorkin’s “spiritual sequel” to 2010’s The Social Network won’t match its successor’s box-office success, nor is it likely to be as fondly remembered in 16 years’ time. There are many ways in which the newer film goes astray, which we cover in our opening discussion of Reckoning, before bringing Network back in for Connections to consider how much of each film’s vision of Mark Zuckerberg’s social-media empire can be attributed to/blamed on Sorkin specifically. Then in a Zuck-inspired Your Next Picture Show, we briefly review a very long documentary about another tech billionaire whose name has become something of a four-letter word over the years: Alex Gibney’s Musk. Please share your thoughts about The Social Network, The Social Reckoning, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Nathan Fielder and Lance Oppenheim’s You Can See Everything and Albert Brooks’ Real Life. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
The Exorcist (1973) | Archive
For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family. See omnystudio.com/listener for privacy information.
Campy and Creeping Dread Horror, plus The Movies That (De)Formed Us | SVU
For the final episode in Spook-tober, Jordan and Matt share the defining scares of their childhoods and respond to listener requests for campy and creeping dread horror movies. And then — the horror! — Jordan takes a turn hosting America’s fastest growing game show: Portmanteau-To-Toe. Intro (00:00:00–00:03:07) The Movies That (De)Formed Us (00:03:08–00:39:56) Listener Request Seg: Campy and Creeping Dread Horror Movies (00:39:57–01:09:09) Notes / Game: Portmanteau-To-Toe (01:09:09–01:24:09) New to Streaming / Credits (01:24:10–01:32:31) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now!): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Matt’s book tour! matt-singer.net Bazooga jingle by Andy Wilkowske https://www.andrewwilkowske.com/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.
"There is a distinct difference between suspense and surprise" with Bilge Ebiri | The Movie Racket
Film critic Bilge Ebiri (Vulture, New York Magazine) joins Michael Phillips to test one of Alfred Hitchcock's most famous assertions: "There is a distinct difference between suspense and surprise." Drawing on Hitchcock classics including Sabotage, Rear Window, Notorious, and Psycho, Michael and Bilge explore why the 'Master of Suspense' believed audiences should dread an explosion more than simply be startled by one. They discuss Hitchcock's notorious "grave error" in Sabotage, the enduring power of the night-vision sequence in The Silence of the Lambs, the unresolved terror of Zodiac, and what contemporary filmmakers such as Jordan Peele and Zach Cregger have learned from Hitchcock's approach. Join the conversation by emailing themovieracket@filmspotting.net.See omnystudio.com/listener for privacy information.
Sense & Sensibility (2026), plus Fatherland and Whalefall | #1086
How do you reimagine a beloved novel like Jane Austen’s Sense & Sensibility without losing what people love — and expect — from an Austen adaptation? Whatever it is, director Georgia Oakley appears to have figured it out. Adam and Josh praise Oakley’s earthy and unfussy film. Plus, a recap of their weekend at the Chicago International Film Festival, which included a screening of Pawel Pawilkowski’s Fatherland, and — for Josh — a 30th anniversary screening of Cheryl Dunye’s Watermelon Woman. Also, Josh’s review of Whalefall, and listeners rank the most anticipated movies of the fall. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:03:08) Sense & Sensibility (00:03:09-00:25:34) Filmspotting Family (00:25:35-00:30:35) Sense & Sensibility, cont. (00:30:36-00:46:38) Fatherland (00:46:39-01:07:00) Watermelon Woman, Whalefall (01:07:01-01:13:34) Polls (01:13:35-01:25:35) Credits / New Releases (01:25:36-01:31:25) Notes: -Refocus Film Festival https://refocusfilmfestival.org/ Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
Zuck Dynasty, Pt. 1 — The Social Network
Aaron Sorkin has said his new The Social Reckoning is not a sequel so much as a companion piece to David Fincher’s The Social Network, which Sorkin also scripted. Whatever you call it, though, these two films are undeniably linked, not just by Sorkin’s involvement, but especially by their interest in the tech-bro enigma that is Facebook founder Mark Zuckerberg. So this week we’re returning to 2010 and The Social Network to consider how the film’s depiction of Facebook’s then-recent origin story plays from our social-media-saturated present; how Sorkin’s script and Jesse Eisenberg’s performance as Zuckerberg find humanity, and maybe even sympathy, in a pointedly unlikable protagonist; and how Fincher made it all work on screen, from the instant-classic Facemash montage to a final shot we’ll be forever refreshing in our minds. Then in Feedback, a longtime friend of the show shares some thoughts prompted by our recent episode on William Friedkin’s Sorcerer. Please share your thoughts about The Social Network, The Social Reckoning, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
Top 5 Sofia Coppola Scenes | Archive
Sofia Coppola's Marie Antoinette is back in theaters this week for its 20th anniversary. In 2017, along with a review of Coppola's The Beguiled, Josh and guest host Angelica Jade Bastien shared their Top 5 Sofia Coppola Scenes. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family. See omnystudio.com/listener for privacy information.
Apple TV’s Matchbox The Movie Is a Movie For No One, plus Slow-Burn Horror Movies | SVU
From none of the people who brought you Barbie comes a new film inspired by (or mandated by?) the Mattel corporation. It’s Matchbox: The Movie! And it stinks. But in what ways exactly does it stink? The answers may surprise you. Matt and Jordan discuss. Plus, Jordan’s thoughts on the conclusion of Prime Video’s Carrie limited series, which was reviewed on last week’s show; a Rec Seg featuring titles — one adapted from a video game, the other from a toy — that fare better than Matchbox; a listener request for slow-burn horror movies; and the return of Portmanteau-to-Toe: a Movie Trivia Game. Intro / Carrie recap (00:00:00–00:08:41) Matchbox: The Movie (Apple TV) (00:08:42–00:33:42) Rec Seg! (00:33:43–00:47:41) Listener Request Seg: Slow-Burn Horror Movies (00:47:42–01:05:33) Game: Portmanteau-To-Toe (01:05:34–01:24:55) New to Streaming / Credits (01:24:56–01:34:08) Show Notes Jordan: “What 6 Different Versions of This Sex Comedy Say About the Countries That Made Them” https://foreignpolicy.com/2026/09/04/review-the-invite-film-international-versions/ Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now!): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Matt’s book tour! matt-singer.net Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.
"I wonder what percent of people ever actually encounter a work of art that changes them" with Manohla Dargis | The Movie Racket
Can a movie change your life? In a 1960s interview, Stanley Kubrick posed a deceptively simple provocation: "I wonder what percent of people ever actually encounter a work of art that changes them."This week, New York Times Chief Film Critic Manohla Dargis joins Michael Phillips to test this proposition against a lifetime of moviegoing. Together, they reflect on films that expanded their sense of what cinema could do — from Jean-Luc Godard's Breathless and Every Man for Himself to Kubrick's own 2001: A Space Odyssey — and discuss the difference between a movie that alters your life and one that offers you a profound experience.Join the conversation by emailing themovieracket@filmspotting.net.See omnystudio.com/listener for privacy information.
Fall Movie Preview, plus The Social Reckoning | #1085
With the fall film festival season (mostly) in the rearview and release dates set through the end of the year, Adam and Josh hold a Fall Movie Preview Draft that sees them largely ignoring obvious picks like Avengers: Doomsday and Dune: Part Three in favor of battling over some of the most intriguing indies still to come. Plus, a review of Aaron Sorkin's The Social Reckoning and Massacre Theatre. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:25) ‘26 Fall Preview Draft (00:02:26-0:25:19) Filmspotting Family (0:25:20-00:31:25) Preview Draft, cont. (00:31:26-1:02:41) The Social Reckoning (1:02:42-01:30:58) Massacre Theatre (01:30:59-01:36:46) Credits / New Releases (01:36:47-01:44:01) Notes: -Refocus Film Festival https://refocusfilmfestival.org/ Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
Trial By Media, Pt. 2 — Primetime
Primetime is a far-from-straightforward take on a true story, using the mid-aughts TV phenomenon To Catch a Predator and especially its host, Chris Hansen, for a darkly comic exploration of the morally murky place where ambition and justice overlap. It’s a tonal high wire act that gets a lot of mileage out of Lance Oppenheim’s expressively stylized direction and strong performances from Robert Pattinson, Merritt Wever, and Skyler Gisondo, but whether that all adds up to a satisfying film is up for debate this week. Then we bring 1957’s Sweet Smell of Success back in for Connections to discuss how it and Primetime both navigate protagonists who punch down from their moral high ground, and the bygone media environments that enable them, all while maintaining a sense of humor. Then, for anyone looking for a fuller picture of To Catch a Predator’s rise and fall, we offer a Your Next Picture Show for David Osit’s 2025 documentary Predators. Please share your thoughts about Sweet Smell of Success, Primetime, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next pairing: Aaron Sorkin's The Social Reckoning and David Fincher's The Social Network. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
Top 5 of 1991 | Archive
The 1991 movie year turns 35 this year. T2, Barton Fink, Boys in the Hood. In 2014, Adam and Josh looked back a mere 23 years for their Top 5 of '91. See omnystudio.com/listener for privacy information.
Is Prime’s Carrie Remake Too Much of a Good Thing? | SVU
Stephen King’s Carrie has been adapted for film twice, has endured a sequel and even a Broadway musical, and now Mike Flanagan has brought the writer’s debut novel to the small screen in a limited series for Prime Video. Flanagan is a peerless adapter of King’s work, but does any version of Carrie need to be eight hours? Matt and Jordan discuss. In the Rec Seg, recommendations for a classic of ‘70s German cinema and an underseen King adaptation from the ‘90s. Plus, a listener writes in for some under-the-radar horror comedies, and Producer Sam hosts a King-themed movie game. Intro (00:00:00–00:02:26) Carrie (Prime Video) (00:02:27–00:31:45) Rec Seg! (00:31:46–00:50:55) Listener Req Seg! (00:50:56–01:06:42) Game: If You Come at the King, You Better Not Miss (01:06:43–01:26:40) New to Streaming / Credits (01:26:41–01:38:55) Show Notes Stephen King Wants You To Watch Maximum Overdrive (Trailer) https://www.youtube.com/watch?v=IniwjSfs4fs Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Matt’s book tour! matt-singer.net Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.
"Hollywood's like Egypt, full of crumbled pyramids" with Laura Friedman & Ron Falzone | The Movie Racket
Hollywood has been dying for more than a century. At least, that's what people keep saying.This week, Michael Phillips explores one of the industry's favorite prophecies of doom: producer David O. Selznick's famous comparison of Hollywood to ancient Egypt, "full of crumbled pyramids" destined to disappear into the sands.Joining Michael are Rep. Laura Friedman, whose congressional district includes many of the major studios and who helped author the bipartisan Motion Picture, Television, and Entertainment Revitalization Act, and film historian Ron Falzone. Together, they examine Hollywood's latest existential crisis: runaway production, empty soundstages, corporate consolidation, and the fight to keep movie-making in the United States.Is Hollywood facing a uniquely perilous moment, or just its latest near-death experience? Join the conversation by emailing themovieracket@filmspotting.net.See omnystudio.com/listener for privacy information.
Digger and Primetime, plus Chicago International Film Fest Preview | #1084
Not everyone hates Digger. The big swing from star Tom Cruise and director Alejandro González Iñárritu was met with chilly box office and hostility from critics, but Adam and Josh (yes, even Iñárritu skeptic Adam!) found lots to like — especially after the film’s bold transition from politically-charged farce into something completely different. Plus, Josh on Primetime, previews of two regional fests, and listeners pick their favorite “Comedy Boom” movies. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) Digger (00:02:24-0:33:35) Filmspotting Family (0:33:36-00:37:20) Spoiler Talk: Digger (00:37:21-1:11:00) Primetime (1:11:01-01:16:21) Chicago / Refocus Film Fest Previews (01:16:22-01:31:21) Polls (01:31:22-01:42:54) Credits / New Releases (01:42:55-01:46:33) Chicago Film Festival Picks – Josh: -Citizen Osama https://www.chicagofilmfestival.com/film/citizen-osama/ -Eight Bridges https://www.chicagofilmfestival.com/film/eight-bridges/ Chicago Film Festival Picks – Adam: -The Debut https://www.chicagofilmfestival.com/film/the-debut/ -The Girl with the Leica https://www.chicagofilmfestival.com/film/the-girl-with-the-leica/ Notes: -Refocus Film Festival https://refocusfilmfestival.org/ Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
Trial By Media, Pt. 1 — Sweet Smell of Success
Lance Oppenheim’s Primetime paints problematic TV phenomenon To Catch a Predator — and especially its host, Chris Hansen — as an enterprise fueled by ambition, amorality, and a tenuous grasp of journalistic ethics. Those qualities put us in mind of the cursed collaboration between desperate press agent Sidney Falco and influential columnist J.J. Hunsecker in 1957’s Sweet Smell of Success, so this week we’re digging into the twisted loyalties and razor-sharp dialogue of Alexander Mackendrick’s blisteringly cynical portrayal of a very different era in tabloid journalism. Then in Feedback, a listener helps flesh out a bit of William Friedkin trivia that came up during our recent Sorcerer discussion. Please share your thoughts about Sweet Smell of Success, Primetime, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
Top 5 Tom Cruise Performances | Archive
With Cruise back in ac-tor mode in Alejandro González Iñárritu's Digger, we're sharing our 2017 consideration of "the last movie star"'s long and storied career. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family. See omnystudio.com/listener for privacy information.
The Low-Budget Gumption of Shudder’s Goody Goody | SVU
For the first show of Scare-tober, Jordan and Matt take a look at the Shudder Original Goody Goody, a low-budget home-birth horror tale from first-time feature director Raymond Creamer. For a seasonally appropriate streaming watch, you could do worse. You could also do better, which is why Matt and Jordan use this week’s “Rec Seg” to suggest a couple of titles inspired by Goody Goody — one which exploits the very real horror of childbirth for laughs, and another which brilliantly captures the horror of being the only one who knows something terrible has happened. Then, listener Matt (no relation to host Matt) writes in asking for an entry-level horror film for his 9-year-old. And Matt hosts another round of Portmanteau-to-Toe for this week’s game Intro (00:00:00–00:04:32) Goody Goody (00:04:33–00:22:03) Rec Seg! (00:22:04–00:36:55) Listener Req Seg! (00:36:56–00:57:18) Game: Portmanteau-to-Toe (00:57:19–01:11:15) New to Streaming / Credits (01:11:16–01:25:08) Show Notes Bazooga jingle by Andy Wilkowske Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Matt’s book tour! matt-singer.net Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.
Halloween ('78) vs. A Nightmare on Elm Street | Movie Death Match
Chris Klimek convenes a showdown between arguably the two most influential slasher films ever made: John Carpenter's "Halloween" and Wes Craven's "A Nightmare on Elm Street." One helped define the modern slasher, introducing audiences to the silent, implacable force of Michael Myers and transforming suburban streets into sites of terror. The other revitalized the genre six years later with Freddy Krueger, a wisecracking dream stalker who turned sleep itself into a death sentence. Arguing for "Halloween" is Jason Zinoman (Shock Value, The New York Times), who contends that Carpenter's film remains the genre's most influential and enduring achievement. Defending "Nightmare" is Deirdre Barrett, a Harvard dream researcher, psychologist, and author, who makes the case that Freddy Krueger taps into some of our deepest and most universal fears. Choose your winner at moviedeathmatch.com. (Times will not be precise with ads.)Intro / Meet the Advocates (00:00:00-00:16:41)Rd. 1 – The Movies in Their Time (00:16:42-00:41:49)Rd. 2 – The Movies in Our Time (00:41:50-01:06:16)Rd. 3 – The Movies for All Time (01:06:17-01:37:03)The Verdict / Credits (01:37:05-01:45:23) More From Jason: -‘Halloween’ 1978: The Times Finally Reviews a Horror Classic https://www.nytimes.com/2018/10/17/movies/halloween-1978-review.html -Book: Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror https://www.amazon.com/dp/0143121367 -Instagram @zinomanj More From Deidre: -deirdrebarrett.com http://www.deirdrebarrett.com/ -Book: Pandemic Dreams https://www.amazon.com/dp/0982869533 -Instagram @deirdre_barrett_dreams Follow Chris: -Instagram | Bluesky | XSee omnystudio.com/listener for privacy information.
